Linear phase spline ‘match & morph’ EQ
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SEQ-S delivers sculpting power beyond any other EQ. The resizable direct-draw interface makes it easy to quickly fine-tune your audio, with incredible resolution that you can’t get with a traditional parametric interface. The 3 independent EQ curves can be individually assigned to channels across the surround panorama, giving complete control over your spatial environment, with access to stereo, mid/side, 5.1 and 7.1 surround sound operation.
Unique control from fine detailed precision to sweeping morphs, mid/side operation and powerful match EQ functionality. Try the unparalleled flexibility offered by SEQ-S today.
- Linear phase spline EQ
- Curve scaling and smoothing
- Zoomable and resizable interface
- No phase smearing
- Dynamic EQ morphs
- Frequency node locking
- Psychoacoustic banding
- Match EQ presets
Fluid EQ morphing
SEQ-S is capable of fluid filter morphs, introducing a wealth of new options ranging from controlled scene transitions up to groundbreaking creative sound design.
Seamless transitions between different environments, creative morphs and tempo-locked effects are easily achieved, with full dynamic visual feedback.
Intuitive EQ matching
Use SEQ-S to capture the flavour of a piece of source audio and match it to your current work – great for restoration work, and as a reference for mastering. Or use this match technique on individual tracks to unify different takes, microphone positions, and more.
Plus, by inverting the match EQ curve, you can achieve a minimally invasive technique for carving out space in a complex mix where traditional EQs won’t cut it.
Inquire with a HHB sales person today about which version will suite your needs.
Mono and stereo audio production
Surround compatibility up to 7.1 for post & movie production
We support AAX, VST, VST3, AU and AudioSuite in both 64-bit and 32-bit versions. RTAS is also available as 32-bit only.
Minimum system requirements
Mac OSX 10.7.x / 512 MB RAM
Windows (64 bit) Vista or above / 512 MB RAM